Kiren is ranked within the Australian film and television industry as an A grade photographer. His portrait list includes Cate Blanchett, Hugo Weaving, Julie Delpy, Olivia Newton John, Miranda Otto, Greta Scacchi, Billy Connolly, Bojana Novakovic, Alyssa Sutherland and Naomi Watts.
Kiren's client’s include: The BBC (London), Vogue, Harper’s Bazaar, SBS Television, Channel 10, Channel 7, Foxtel, ICM Actor’s Management (Los Angels), CED (New York), Beyond Films International, Fox Searchlight, Ford Models (New York), Opera Australia, Belvoir St Theatre.
While the majority of my work these days is focused on shooting actors for magazines editorials, film posters and television productions, I still enjoy creating headshots for new actors and aspiring students. There's something about that initial buzz at the beginning of one's career, where you have an abundance of energy and an unlimited amount of potential. For this reason I alway try to set aside a limited amount of sessions each week to help promote new talent.
To me, good actor headshot photography is about giving the actor the space to be present and creating an environment where they feel comfortable and free to play with ideas. When I work with actors I like to let the photography session develop organically. I find this is the best method for creating spontaneity, which of course is where you do your best work.
|Actor Headshots $390||Actor Portfolio $690|
|Head and shoulder portrait with professional on-camera direction.||A detailed session where we show case your diversity. Includes headshots to full length. Professional direction|
|Outdoor session using natural light.||Outdoor session using natural light or in-studio using high-end strobe.|
|Up to 2 outfit changes||Up to 4 outfit changes|
|30 proof images edited for colour, contrast and exposure (A4 size Jpegs 72 dpi)||90 proof images edited for colour, contrast and exposure (A4 size Jpegs 72 dpi)|
|Session includes 2 hand retouched image (A4 Jpegs 300 dpi).||Session includes 6 hand retouched images (A4 Jpegs 300 dpi).|
|Additional hand retouched files are $35 each||Additional hand retouched files $35 each|
|Additonal outfit changes plus a hand retouched file are $75 each||Additional outfit changes plus a hand retouched file are $75 each|
Payment can be made by cash, on-line bank transfer or credit card.
It's true, even experienced actors get nervous when it comes to headshot photography. Suddenly you're not in-character, it's just you; completely raw and unscripted. I've been photographing actors for 25 years and will provide you with all the on-camera direction you'll need to help you look and feel great on the day. I've also spent many years myself working as a professional model which, as a photographer has given me a genuine understanding of the process from both sides of the lens.
How It All Works
Generally we start with a casual chat to discuss the best way in which to approach your headshots. This may also include styling and wardrobe options. If we're working in-studio I'll then create a lighting set up that will best optimise the look we're going for. We'll then work together taking a series of images for each look or outfit. These images are then edited down and uploaded to a private on-line proofing gallery. Proof images are un-retouched low resolution files that you will use to select your hero shots from. They can be viewed on-line by you or your agent.
Hero shots are images where your pose, expression, wardrobe etc are all working in harmony. These images will go on to be hand retouched and sent to you on-line as high resolution Jpeg files (300 dpi). You can then publish or print as many copies from each high resolution digital file as you choose.
If you would like the opportunity to audition for some of the advertising and editorial campaigns I shoot feel free to join me on Facebook (just go to the contact page).
Hair & Make Up
It’s important to keep in mind that although you may be used to applying make up for film, video and stage productions, make up for photography shoots can differ in a number of ways. Firstly, it only requires a very light application. Secondly, photography images are produced with retouching in mind. This means that problems such as skin blemishes are less of a concern as they can easily be fixed in post production, where as with film this would be a lengthy and expensive process.
For men, a make up artist is not necessary. Instead I recommend bringing along hair product and lip balm. It's also important that you're well hydrated and that you moisturise your skin ahead of time.
For women, make up comes down to personal choice. If your focus is film then I suggest keeping it quite natural and real. Consider using little to no foundation on your skin while slightly enhancing your eyes and lips. If musical stage is more your thing then you can afford to go stronger. The important thing to keep in mind for actors is that make up for stills photography is much lighting in terms of application than it is for video, film and stage. If you have even skin you may not even need foundation. Small blemishes or spots don't really need to be covered as they can be retouched afterwards.
Consider using things like freckles to your advantage, as these can be very much a part of your personal appeal. If you are worried about skin blemishes it's better to have them retouched later rather than trying to cover them up with copious amounts of concealer.
As a working actor you'll probably want at least two different looks in your repertoire. A commercial look to cover TV commercials and presenting roles (if that's your thing) and a natural look to cover dramas and feature films. Consider bringing clothing along that you think will be appropriate for these roles. If possible avoid wearing white clothing as it tends to blow out and lose details in the picture (a white shirt under a dark jacket is okay). White also has a tendency to dominate the tonality of the picture and make the subject wearing it look larger. Another thing to avoid are shirts with busy designs and logos. You want the person viewing your actor headshots to be drawn to your face not your clothing. It's best to wear a colour that is darker than your skin tone. This will in effect illuminate your face in the headshot. When viewing an image the human eye is naturally drawn towards lighter tones first.
If you're concerned that your arms are not as toned or as slim as you would like them to be it may be worth avoiding sleeveless tops and short sleeves. Women should avoid tops with shoe string or spaghetti straps, due to the fact that many actor headshots are typically cropped at the collar bones.
Consider layering your clothing with jackets and scarves. With others accessories like jewellery, it's best to keep things quite minimal. Often a great headshot can be spoiled by the wrong choice of earrings or neck chain. If you're unsure of something, leave it out. In some ways it's better to be a 'blank canvas'.
Many headshot photographers use automated presets which save time but can deliver artificial looking results and loose the subject's individuality. All my retouching is done by hand, which preserves detail as well as the overall integrity of the image.
With each hero shot you select you receive a high resolution digital Jpeg file (8" x 10" size at 300 dpi) which you can make multiple prints from (as many copies as you want).
Copyright & Licensing
The rates quoted for your actor headshots allow you to use your images to promote you as an actor, artist or entertainer. You are free to print from your 300 dpi files and make multiple copies. Your agent is free to use them for comp cards, the agency website and for press releases. If however you wish to use your headshots for advertising merchandising, product endorsement, point of sale or theatre and film posters, you will need to inform me beforehand to negotiate an appropriate usage rate and file size.
If you're new to working with a professional photographer it may come as a surprise to learn that, even though you have paid for a photography session, the intellectual rights to the images remain with the photographer. It's much the same as purchasing a book or a DVD. You may own the physical copy and be free to read or play it as much as you want at home, but the author or the film production company owns the rights to the material. This is standard practice around the world.
A photographer may on occasion use images as samples of their work and display them in a portfolio context either on-line or in print. Your images however cannot be sold on to third parties or used for advertising products without your consent. You also have the option of buying the images outright.